Thousands of fans have begun to prepare for Oscars parties to find out which actors, actresses, and movies of the 88th Academy Awards will win a gold statue. As part of the celebration, Shutterstock’s company designers have worked again this year to create fascinating pop art-inspired posters for popular films nominated by the Academy.
Like the many of the different types of movies nominated for the Best Picture award, Shutterstock says its posters share a theme of endurance and testing how far you can stretch the lengths of human nature.
“On the surface his work simply looks cool, but this shallow analysis misses the irony behind his cultural representations”
When you think of many of this year’s Best Picture nominees, movies like The Revenant, The Martian, and Mad Max share a common theme of strength, resilience, determination, and power. These themes are stunningly carried over into Shutterstock’s pop-art posters this year. Posters featured include Jordan Roland’s Warhol-inspired Mad Max: Fury Road, which offer a take on Warhol’s “subversive dictator portraits to shape this poster of Immortan Joe,” says the artist. In Cristin Burton’s Flirst-inspired Oscar Pop 2016 The Revenant, the poster includes assembled pieces the artist used to “create a vast, sinister, and lonely landscape.”
The pop-art posters include a fun view of movies but also of topics that aren’t so fun. In Flo Lau’s The Big Short, inspired by Keith Haring, the artist chose a comedic approach to the dark subject of the bursting of the 2008 housing bubble.
Flirst is a collage artist who assembles disparate pieces to explore how he can change the harmony of the whole. For my poster, a homage to The Revenant, I assembled pieces to create a vast, sinister, and lonely landscape. The poster features a figure with very few people on his side; this represents the film’s main character, Hugh Glass, who was brutally attacked by a bear and left for dead in the winter wilderness.
“I wanted to portray the same witty chaotic vibe in my poster”
In his “Barcelona” series, Mario Corea Aiello forms a grungy collage of newspaper and magazine cutouts and heavy paint strokes. I felt this style would parallel the vicious storm that left Mark Watney for dead on Mars in The Martian. For the color scheme, I deferred to Eric White’s cover art from the original novel by Andy Weir to capture the characteristics of an otherworldly storm.
My inspiration for this poster is one part Roy Lichtenstein and one part Stefan Sagmeister. Spotlight is about journalists uncovering a massive scandal in one of Boston’s oldest institutions, and I found that the perfectly contradictory homophone “pray/prey” encapsulates the shock and horror felt by the community when this scandal was made public.
To illustrate this, I pixelated an image of a priest, then tore off his head and replaced it with an image of a wolf. I looked to Warhol’s subversive dictator portraits to shape this poster of Immortan Joe.Warhol had a remarkable ability to distract from the meaning of his art. On the surface his work simply looks “cool”.
Mad Max: Fury Road has the same effect: The stylized nature of the film gets more attention than the meaning behind it.
I chose to feature Immortan Joe because he is a terrible person, but his iconic look makes him instantly recognizable. When I first read the plot summary for Room, I envisioned lonely, sterile characters, who had been institutionalized by their secluded environment.
Of course, when I saw the movie that perception quickly changed; the characters are full of life, love, and joy, and the audience instantly empathizes with them on a raw, human level. KAWS’ statues play on a similar deceit. Initially they have a sterile, robotic feel, but when you view them in their human-scale sizes and see their playful aesthetic, you experience an unexpected sense of connection.
“Welcome to the Oscars, Or as some people like to call it, the white people’s choice awards”
The Big Short takes a comedic approach to a dark subject, and I wanted to portray the same witty, chaotic vibe in my poster. Keith Haring was my inspiration because his high-contrast, brightly colored political work, which touches on grim subjects like rape, death, and war, hinges on the same contrast as the film. The poster is based on the film’s alligator-in-an-abandoned-pool scene; the alligator represents the main characters in the movie, who took advantage of the 2008 housing bubble and left the world in desperation when it burst.
I chose to focus on the muddy gray areas and loopholes within Bridge of Spies. The Cold War was fueled by each side’s increasingly dire hypotheticals, causing mass paranoia among citizens and governments alike.
A large part of the film’s narrative focuses on the extent of protection under the law, especially for a Soviet spy. I reimagined Lady Justice, mixing her blindfold with the American and Soviet flags to represent how both countries were tied to their individuals’ principles of justice even while locked in an unending battle for the upper hand. Set in the eponymous 1950s borough, Brooklyn features then-contemporary imagery that now exemplifies the commodification of Brooklyn as a global brand.
Just as the Pop Art movement utilized mass advertising and irony to re-contextualize commercial art, I drew from today’s vintage, artisanal design trends, which are inspired by that era and setting.
In that vein, I applied the animated footage and vector elements to illustrate how the contrasting settings of Brooklyn and Ireland re-contextualized the protagonist’s identity through a fluctuating sense of “home.”
The 88th annual Academy Awards are underway, and viewers are anxiously awaiting the ceremony to find out if their favorite flicks and actors win, which categories will see big “upsets,” and which speeches and performances will stand out. Not to mention how host Chris Rock will approach the “Oscars So White” controversy, and who he will target during the opening monologue. Did Leo finally take home a golden statue? The buzz began during the red carpet events prior to the official event.
Jennifer Jason Leigh, nominated for Best Actress in a Supporting Role for The Hateful Eight, seemed slightly out of it during her interview with Ryan Seacrest on E!’s special. But arguably the biggest surprise was Best Actor nominee Leonardo DiCaprio (The Revenant) and Best Actress in a Supporting Role nominee Kate Winslet (Steve Jobs) playing to their nostalgic fans by walking the red carpet together. Can you believe it’s been nearly two decades since they starred together in the 1997 blockbuster film Titanic (which took home Best Picture)?
“If hosts were nominated, I wouldn’t be here; instead, you’d have Neil Patrick Harris.”
Rock, who addressed the issues with ease and expected humor, added that he did seriously consider quitting after so many people spoke out and pressured him to do so. “But the last thing I need is to lose another job to Kevin Hart,” he said, as the crowd erupted in laughter (including Hart himself, who was in the audience).
Arguably, the best part of Rock’s monologue was his blatant dig at Jada Pinkett-Smith and her vocal “boycott” of the Oscars. “Isn’t she on a TV show? Jada boycotting the Oscars is like me boycotting Rihanna’s panties,” he said.
Banyana Banyana Duo Scoop Major CAF Honours
The Banyana Banyana duo of head coach Desiree Ellis and star striker Thembi Kgatlana picked up major honours at the CAF Awards in Senegal on Tuesday night.
Kgatlana was the biggest winner at the 2018 CAF Awards, scooping the CAF Women’s Player of the Year and Goal of the Year accolades.
Her coach Ellis capped off a historic year for South Africa by being named the CAF Women’s Coach of the Year for 2018.
The Houston Dash forward became only the second South African to lift the Player of the Year trophy, following in the footsteps of fellow Banyana Banyana striker Noko Matlou in 2008.
The pint-sized Kgatlana set the 2018 Women’s AFCON alight in Ghana during the month of November, helping Banyana Banyana to a second place finish as they secured qualification to the 2019 FIFA Women’s World Cup to be held in France in June.
She scored five goals, won four Woman of the Match accolades and was crowned the Player of the Tournament.
Ellis on the other hand also made history for herself after becoming the first person to win the COSAFA Women’s Championship as both a player and coach, and also the first Banyana coach to secure qualification to the World Cup.
Ellis beat off a strong challenge of Joseph Brian Ndoko (Cameroon) and Thomas Dennerby (Nigeria).
Complete list of 2018 CAF Award winners:
Player of the Year
Mohamed Salah (Egypt & Liverpool)
Women’s Player of the Year
Chrestinah Thembi Kgatlana (South Africa & Houston Dash)
Youth Player of the Year
Achraf Hakimi (Morocco & Borussia Dortmund)
Men’s Coach of the Year
Herve Renard (Morocco)
Women’s Coach of the Year
Desiree Ellis (South Africa)
Men’s National Team of the Year
Women’s National Team of the Year
His Excellency Macky Sall (President of the Republic of Senegal)
Federation President of the Year
Goal of the Year
Chrestinah Thembi Kgatlana (South Africa & Houston Dash)
Mohamed Salah Retains CAF Player Of The Year Award
Liverpool striker Mohamed Salah won the Confederation of African Football (CAF) Player of the Year for the second consecutive year in Senegal, Dakar on Tuesday.
The Egyptian forward held off stiff competition from his Liverpool team-mate Sadio Mane of Senegal and Arsenal’s Gabonese striker Pierre-Emerick Aubameyang to capture the title he won last year.
Salah was instrumental for the five-time Champions League winners last season, scoring 44 goals as they reached the Champions League final before scoring twice for Egypt at the World Cup in Russia.
This season the 26-year-old talisman has already scored 16 goals in 29 appearances across all competitions for Liverpool.
Salah was also voted the BBC African Footballer of the Year for the second time in December.
Africa Best XI:
Denis Onyango (Mamelodi Sundowns/Uganda), Serge Aurier (Tottenham/Ivory Coast), Medhi Benatia (Juventus/Morocco), Eric Bailly (Manchester United/Ivory Coast), Kalidou Koulibaly (Napoli/Senegal); Naby Keita (Liverpool/Guinea), Thomas Partey (Atletico Madrid/Ghana), Riyad Mahrez (Manchester City/Algeria); Mohamed Salah (Liverpool/Egypt), Pierre-Emerick Aubameyang (Arsenal/Gabon), Sadio Mane (Liverpool/Senegal)
Egypt Win Bid To Host 2019 Africa Cup Of Nations
The Confederation of African Football (CAF) selected Egypt as the hosts of the 2019 Africa Cup of Nations (Afcon) after their executive meeting in Dakar, Senegal on Tuesday morning.
South Africa and Egypt were the only two nations to submit bids for the tournament, after Cameroon were stripped of hosting rights late last year due to being behind schedule.
The North African nation ousted the South Africans with 16 votes to just one for the 2013 Afcon hosts.
This year’s tournament will be unique because the competition has been expanded to 24 nations and has also been moved from the usual January slot to June.
Egypt have previously hosted the continental showpiece on four occasions, and last hosted the Afcon in 2006.